Try telling that to agents whose job it is to morph their clients into stars and successful, big screen filmmakers. Try telling exhibition that after being broken for the majority of 2020 and into 2021. There are some at other studios who are envious about No Way Home‘s success, and have sniped that the movie was an anomaly at the pandemic box office, not the standard. A packed house on the first Sunday night of ‘Spider-Man: No Way Home’ at Regal’s Valencia Town Center Deadline You can say that a movie set in a Marvel Cinematic Universe is a self-fulfilling prophesy at the box office. No Way Home producers Kevin Feige and Amy Pascal say more Sony/MCU Spidey is already in store. Remember how No Way Home almost didn’t come together as Sony and Disney’s Marvel were hashing out terms? See what happens when everyone kisses and makes up? Marvel wound up co-financing this $200M sequel at 25% with Holland’s webslinger contracted to appear in another Disney/Marvel film. But for Disney, it was all about their love affair with subscribers. Head scratching ensues over the money left on the table with Disney/Marvel’s Black Widow going day-and-date on Disney+, and stalling at $379.7M WW. That figure is significantly higher now that the MCU pic’s global is at $1.89 billion. We already reported some time ago how No Way Home was profiting in its theatrical window with $610M after a global B.O. Tee a movie off on a premium format like the big screen gives it automatic luster, thus making it desirable when it becomes available in homes. We all know how excited some studios were about experimenting with theatrical day-and-date on their streaming services, whether they were giving the movies away free to subscribers or charging them an extra $30, however, witness the firepower of this fully armed and operational Sony blockbuster, a key, high example that when a studio practices a theatrical window/ancillary business model, the riches are there. Sony's 'Dumb Money' Distancing From Taylor Swift On Release Date Schedule
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